The Grands Boulevards are essentially ‘the best‘ of the Parisian boulevards. They correspond to the Nouveau Cours built between 1668 and 1705 in place of the dismantled Louis XIII wall. The boulevards of Louis XIV were conceived by Pierre Bullet to link the Porte Saint-Antoine (situated where the Place de la Bastille now stands) to the Porte Saint-Honoré (situated where the Place de la Madeleine now stands).
Which exactly are classed amongst the Grands Boulevards is somewhat unclear. Many Parisians would automatically include Boulevard Haussmann amongst them, as the large department stores (Printemps and Galeries Lafayette) draw promenaders in the “boulevardier spirit“. However, strictly speaking, “les Grands Boulevards” would only include the Boulevard Beaumarchais, Filles-du-Calvaire, Temple, Saint-Martin, Saint-Denis, Bonne-Nouvelle, Poissonnière, Montmartre, Italiens, Capucines and the Madeleine boulevards.
Parisians made the boulevards into promenades which have remained popular through the ages and changes in the city. They were the setting for Maupassant’s Bel Ami; Fred Astaire took to the boulevards in Funny Face. The later opening of other trunk roads, namely Boulevard Richard-Lenoir, Boulevard Haussmann, and Avenue de la République, has somewhat reduced the visibility of the Grand Boulevards and the Louis XIII wall in the Paris topography.
The idea of the boulevard as a centre for leisure asserted itself during the 18th century, when numerous théâtres de la foire set up near the Porte Saint-Martin. The boulevard du Temple became affectionately known as “boulevard du Crime” during Bourbon Restoration, an allusion to the criminal acts portrayed there by stage actors. According to the Almanach des Spectacles, “Tautin was stabbed 16,302 times, Marti poisoned 11,000 times, Fresnoy set on fire 27,000 times in countless ways…, Mademoiselle Adèle Dupuis was seduced, kidnapped or drowned 75,000 times”.
Although the “boulevard du Crime” fell victim to Haussmann’s transformation, the boulevardier spirit lives on in « théâtre de boulevard ».
Haussmann’s renovation of Paris brought the boulevard to the heart of Paris, whereas they had hitherto been limited to uninhabited or sparsely inhabited zones. Le boulevard, whose initial function was to go around the capital, became structural urban thoroughfares.
The boulevards from Haussmann and before now define Paris, with uniform façades and overhanging balconies stretching along them. These are immediately recognisable, and are under the strict control of Paris’ urban planners.
Snippet of History 